Ferruccio Busoni
1866 - 1924
Ferruccio Busoni was a German composer and pianist born in Italy. At the age of 7 he made his first public appearance and at 12 he conducted his own Stabat Mater.
He taught in Helsinki, Moscow and Boston before settling permanently in Berlin in 1894. He became famous as a virtuoso pianist and gave world premieres of works by important composers.
His most famous work during his lifetime, the opera Die Brautwahl (1910), was followed by the operas Arlecchino (1916) and Turandot (1917), but the unfinished and posthumously staged Doctor Faust is considered his masterpiece.
Of his orchestral works, his Piano Concerto (1904) is the most frequently performed. His numerous piano pieces include the Fantasia contrappuntistica (1910), six sonatinas (1910-20) and arrangements of organ works by Johann Sebastian Bach.
Erik Satie
1866 - 1925
Franz Lehár
1870 - 1948
Lehár was born in the northern part of Komárom, Kingdom of Hungary, Austria-Hungary. Franz studied violin and composition at the Prague Conservatory, where his violin teacher Antonín Bennewitz was, but was recommended by Antonín Dvořák to concentrate on composing.
After graduating from high school in 1899, he joined his father's band in Vienna as assistant to the conductor. In 1902 he became conductor at the historic Vienna Theater an der Wien, where his first opera Wiener Frauen was performed in November of the same year. He is best known for his operettas - the most successful of which is The Merry Widow - but he also wrote sonatas, symphonic poems, marches and a series of waltzes (the most popular gold and silver, composed for Princess Pauline von Metternich's "Goldener und Silberner "Ball, January 1902), some of which come from his famous operettas.
Individual songs from some operettas became standards, especially "Vilja" from The Merry Widow and "You Are My Heart's Delight" from The Land of Smiles.
Lehár was also associated with the opera tenor Richard Tauber, who sang in many of his operettas, beginning with Frasquita (1922), in which Lehár found a suitable post-war style again. Between 1925 and 1934 he wrote six operettas especially for Tauber's voice.